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Ivy-League-Level Hebrew Bible Insights — Without the Price Tag!
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Get ready to see the Hebrew Bible in a whole new light
The Hebrew Bible is anything but simple! It’s a massive, messy, magnificent collection—shaped by centuries of history, politics, and, yes, countless hands. Over 28 lectures, we’ll dig into where these texts came from, what archaeology tells us (and doesn’t), and how this ancient library slowly became “the Bible.”
If you think you already know what’s in there, get ready to think again...
The Hebrew Bible: Exploring the Literature of Ancient Israel
28 Lectures - September 2nd - December 15th
Rethinking Origins and Authorship
What if the stories we thought we knew were never meant to be read that way?
Power, Prophets, and the Politics of Scripture
This isn’t just theology—it’s history, protest, and literary brilliance...
A Rare Opportunity to Learn from Yale’s Hebrew Bible Expert
Learn directly from Dr. Joel Baden, acclaimed Yale professor and one of today’s leading experts on the Hebrew Bible. As the author of The Historical David and The Composition of the Pentateuch, and co-author of The Book of Exodus: A Biography, Baden brings deep scholarly insight to the complex history, literature, and politics of the Bible. With his sharp wit and accessible teaching style, this course offers a rare chance to explore the Hebrew Bible through the lens of cutting-edge scholarship—no divinity degree required!











Untangle the Hebrew Bible’s Complicated Past
This course tackles big, enduring questions: Who really wrote the Hebrew Bible—and when? Why does it tell the same story in different ways? How did such a sprawling, contradictory, and multi-voiced collection become sacred scripture?
As you explore these questions, you’ll:
Get ready to rethink everything you thought you knew about the Bible—and uncover the history beneath the text...
From Eden to Exile—and Everything in Between
semester length: 28 Lectures - starts sep 2
It’s NOT “the Bible”; it’s NOT the New Testament, that’s for sure; but it isn’t quite the Old Testament, either. What is this thing that we’re going to spend the next fourteen weeks talking about? What is it that we’re reading when we read the Hebrew Bible? In this introductory session, we’ll explore the textual and material history of the Hebrew Bible, thinking about transmission, translation, and tradition, and perhaps realizing that there is no such thing as “the” Bible.
There are many ways to read the Bible. For the last couple of centuries, the main way that scholars have read the Bible is using what we call “the historical-critical method,” which is just a fancy way of saying that we’re trying to understand how these texts may have communicated and what they may have meant in their earliest contexts. We are, depending on the text in question, some two to three thousand years removed from the world the Bible was composed in. What does it mean to try and recover those ancient contexts? What can the historical-critical method do for us—and what should we not be asking of it?
“In the beginning” may be how the Bible begins, but there was a lot of stuff out there in the world before the Bible began. Right from the opening chapter of Genesis, we find ourselves reading material that participates in a much broader ancient notion of cosmology and creation. In this session we’ll look carefully at Genesis 1, as well as its most important parallel (and precursor) from ancient Mesopotamia. And we’ll think about what it means for there to be writing out there that predates the Bible, that the Bible borrows from—and how to responsibly use comparative materials to shed light on the biblical text.
It doesn’t take long—just two chapters of Genesis—before the reader is faced with…let’s call them complications. Why doesn’t the story of Adam and Eve in Genesis 2 seem to fit with the creation story from Genesis 1? Why are there two nearly identical genealogies in Genesis 4 and 5? Why is the Flood story so difficult to understand? In this session we’ll look at the text of Genesis 1–11 and realize that there isn’t one story here, but two. Two creations, two floods, two texts, two authors, two theologies, two narratives. Welcome to the Bible that was always right in front of you—if you know how to look for it.
Once we have established the basics of recognizing multiple sources in the text of the Pentateuch, we can step back and look at how the whole thing came together. This session will introduce in full the sources of the Pentateuch: their scholarly origins, their different approaches, and what understanding them can do for the contemporary reader. What does it mean that some stories seem to be known only to one of the biblical texts? How are we supposed to read a text that is anything but consistent?
Three patriarchs, four matriarchs, two concubines, twelve tribes, and a whole lot of family drama. Welcome to the Real Ancestors of Biblical Israel. In these chapters we get some of the most famous stories in the Bible (like, say, the sacrifice of Isaac) and some of the least famous (what do you mean you don’t remember Reuben sleeping with his father’s concubine Bilhah?). These stories straddle the line between local affairs and international relations. What are we as readers to make of them?
The Exodus never happened. There, I said it in the syllabus, so you won’t be surprised when I say it in class. What do we do with the Exodus story, certainly the most famous and influential part of the entire Hebrew Bible, once we have taken it out of the realm of the historical? What did the Exodus story do for ancient Israel, and what might it still do for us today?
The revelation on Mount Sinai is the climax of the Pentateuch. It is also one of the only passages that every source of the Pentateuch shares in common. But it’s where the sources differ that the magic really happens. In this session we’ll use the Sinai narrative as a case study for both recognizing and appreciating the theological differences among the sources. We’ll think about what happens when we take the text apart into its constituent elements, and also what happens when we read it all together.
I know what you’re thinking. The best? More like the most unreadable of all books. And it’s okay: we can both be right. Leviticus gives us a remarkable window into an entire world of ancient Israelite thought—the world that’s really obsessed with bloody animal sacrifice. In our modern world, we don’t really know what to make of these rituals, or of the texts that describe them in such detail. But two thousand years ago they did—and that’s the perspective I’ll be sharing with you in this session. I’ll make the case that Leviticus, despite being unreadable, is also perhaps the most sustained and most beautiful theological idea in the entire Bible.
When one version of Israel’s history and laws isn’t enough, there’s always Deuteronomy to give it all to us again, just in the form of a very, very long speech by Moses. What is Deuteronomy up to? What is its relationship to the other books and sources of the Pentateuch? Despite feeling somewhat repetitious, Deuteronomy is in fact one of the central texts of the Hebrew Bible, and understanding it—and its historical setting—is crucial for reading much of what follows.
Over the course of the four books that follow the Pentateuch, we move from Joshua, Moses’s successor, to Josiah, the last great king of Israel; we go from the Israelite conquest of Canaan to the Babylonian conquest of Israel. We also go from the mythic past to something at least vaguely resembling actual historical events. There is a lot of disparate material in these books, but it’s all been brought together in a single conceptual framework. We’ll look at what this history is, and what it might have been trying to accomplish. In the end, we’ll see that what we have here is a history that is less about what happened and more about why.
After Moses was Joshua; before Israel had kings, it had judges. The first two books of the history give us wonderful stories about Israel’s early history—but stories is probably all they are. The big question here is how Israel actually came to settle in the promised land. The Bible tells us it was conquest; archaeology tells us otherwise. How might we reconstruct the actual history behind the text, and how might that history help us understand why the text looks the way it does?
David: the main character of the Hebrew Bible, no question about it. Who David really was in history? Lots of questions about it. In this session we will look at the portrayal of David in the books of Samuel and Kings, and think about why he is depicted the way he is. We’ll consider an alternative to the standard reading of David’s life, one that may be less familiar to us today but that may have been very recognizable to audiences three thousand years ago. You’ll never think about David the same way again.
Solomon, Hezekiah, Josiah; Ahab and Jezebel; Elijah and Elisha; the book of Kings is full of famous (and infamous) characters. But what about Jeroboam, Manasseh, and Jehoiachin? Maybe less well known, but also maybe just as important, at least as far as the biblical history is concerned. Though the details of the book of Kings may be hard to remember (even for professionals), the big picture presented here is the climax of the history: why do the kingdoms of Israel and Judah fall? What, in other words, is the relationship between history and theology, between what happens and why it happens?
We don’t live in a world of prophets. But in ancient Israel, they were seemingly everywhere. And they came in lots of different flavors. Before we talk about any of the biblical prophets individually, we’ll take this lesson to think about the nature of prophecy as a whole. Who were prophets, and what were they really up to? How does understanding the institution of prophecy help us to understand individual prophets and their messages?
The eighth century BCE saw the rise of a set of prophets who had a rather limited set of concerns, mostly centered around failures of social justice. We’ll look in this session at three of them—Amos, Hosea, and Micah. Who were they speaking to, and what were they speaking about? Why was social justice the main theme of prophecy in this particular historical moment? We’ll also think about what happens to texts, especially prophetic ones, when their historical moments have passed? .
Isaiah has been known for centuries as the prince of prophets, the greatest of them all. But there’s something pretty weird going on in this book—it’s a phenomenon that is perhaps easy to miss when we focus on the messianic stuff, the material that made it into Handel’s Messiah. But when we think about Isaiah as a product of its historical context, we end up with both a different read on all that messianic stuff (hint: it isn’t about Jesus) and with a different sense of the book as a whole (hint: there’s more than one Isaiah in here).
Full disclosure: I hate Jeremiah. I’ll tell you why in this session. But I’ll also take this session as an opportunity to think not about prophecy as a social phenomenon but about the prophetic book as a literary phenomenon. What are we reading when we read a book like Jeremiah? Are we reading a transcription of a real-life prophet’s words? Is it biography? Theology? All, none? Jeremiah is a great test case for challenging our standard ideas about what a prophetic book actually contains.
Ezekiel: what a weirdo. Here’s a book that is just stuffed with famous visions: Ezekiel’s wheel in the first chapter, the valley of dry bones, the nearly ten chapters of eschatological temple vision at the end. It’s also the first biblical book—certainly the first prophetic one—written from the exile in Babylon. Here, then, is a great opportunity to think about how changing historical and cultural circumstances affect the prophetic task, and the kinds of theologies that are brought to witness against Israel. Ezekiel’s message is so unlike everyone’s before him that it is sometimes hard to understand—we’ll try and fix that together.
Jonah is potentially one of the most commonly misunderstood books in the Bible, mostly because once you say something is in the Bible you have a hard time also reading it as comedy. But that’s what Jonah is. Okay, but why would I pair Jonah with Esther, of all things? Because Esther, I think, is also comedy. And I’d like to take this session to think about what makes these books funny, how satire works, and what it means for us as modern readers to recognize that the Bible can be more than just some Very Serious Stuff.
Did King David write the psalms? The Bible doesn’t actually say so. We’ve been taught (for nearly two millennia) that the psalms are the poetic expression of David’s inner thoughts. But actually what the psalms are, and where they came from, and what they were used for in ancient Israel, is all way more interesting than just “David.” While we’re here, we might as well talk some about how biblical poetry works, and why it doesn’t look like any other poetry we’re familiar with (whether it’s Shakespeare or Yeats or whatever was in the most recent New Yorker). Studying Psalms opens entire worlds for us.
Who doesn’t love a good proverb? The author of Ecclesiastes, that’s who. And yet: traditionally both books are attributed to King Solomon, the wisest and most likely to cut a baby in half of all Israel’s kings. In this session we’ll enter the world of what is known as “wisdom literature,” the biblical books that seem to be interested mostly in the philosophical question of what constitutes a good life and how we as humans might figure out how to achieve it. If there’s ever been a place where the Bible is inconsistent, it’s between these two books. And that’s what makes reading them together so much fun.
The book of Job is the My Dinner with Andre of the Bible: no action, lots of talking, and when you’re finished, it’s not entirely clear what you were supposed to have learned. (Feel free to insert the movie reference that makes most sense to you.) Job is among the most famous of all biblical stories, and also among the most difficult of all the biblical books to actually read (in any language). What might we make of this enigmatic, complicated text?
In this lesson we’ll look at two books with female protagonists. One, obviously, is Ruth: the beloved little novella about the ancient convert who ends up being the ancestor of King David. We’ll explore some of the subtleties and oddities of this book, and think about it as a meaningful piece of ancient fiction. The other book is Lamentations, and the female protagonist is the city of Jerusalem, figured in this book as a grieving widow. Lamentations is biblical poetry at its finest, and gives us another opportunity to think about how much of this biblical literature is a theological response to the uncertainties of an ever-changing geopolitical landscape.
If you thought Leviticus was boring, wait until you get to Chronicles. But like Leviticus, underneath the boring repetitive bits is actually an extraordinary text. Studying Chronicles allows us to appreciate what ancient historical writing did, the authoritative status of older biblical materials, and how perceptions and depictions of biblical characters change over time. It might not be thrilling reading, but it’s actually pretty thrilling stuff once you know what you’re looking for.
Daniel is, potentially, the most complicated book in the entire Hebrew Bible, at least in terms of its compositional history. It’s got stories and visions. It’s got Daniel and a bunch of other characters. It’s set in ancient Babylon but is from much, much later. It’s got full-blown apocalyptic imagery. It’s in two different languages. It comes in multiple distinct editions. Reading Daniel is an exercise in putting all of our critical skills to work. It’ll be super fun, I promise.
As we get to the end of our time with the Hebrew Bible, we have to return to the question we asked at the beginning of the course: what is this thing we’re calling the Hebrew Bible? Is this a thing, even? When did the Bible become the Bible? In this session we’ll bring in some of the materials that didn’t quite make it into our traditional biblical canon (depending on which religion or denomination one belongs to). And we’ll look at the oldest evidence for the biblical texts we have, that is, the Dead Sea Scrolls. Far from confirming what tradition has long held about the Bible, the scrolls, and the other non-biblical texts from antiquity, reveal to us a world in which the Bible didn’t quite exist yet—and helps us to see, perhaps, how it came to be.
In our last session, we’ll look back at what we’ve learned together over fourteen weeks. What does historical criticism offer us as readers, and what questions does it leave open? My intention in this final session is to think about what doors historical criticism closes, and which it opens for us. In short: where do we go from here?
It’s NOT “the Bible”; it’s NOT the New Testament, that’s for sure; but it isn’t quite the Old Testament, either. What is this thing that we’re going to spend the next fourteen weeks talking about? What is it that we’re reading when we read the Hebrew Bible? In this introductory session, we’ll explore the textual and material history of the Hebrew Bible, thinking about transmission, translation, and tradition, and perhaps realizing that there is no such thing as “the” Bible.
There are many ways to read the Bible. For the last couple of centuries, the main way that scholars have read the Bible is using what we call “the historical-critical method,” which is just a fancy way of saying that we’re trying to understand how these texts may have communicated and what they may have meant in their earliest contexts. We are, depending on the text in question, some two to three thousand years removed from the world the Bible was composed in. What does it mean to try and recover those ancient contexts? What can the historical-critical method do for us—and what should we not be asking of it?
“In the beginning” may be how the Bible begins, but there was a lot of stuff out there in the world before the Bible began. Right from the opening chapter of Genesis, we find ourselves reading material that participates in a much broader ancient notion of cosmology and creation. In this session we’ll look carefully at Genesis 1, as well as its most important parallel (and precursor) from ancient Mesopotamia. And we’ll think about what it means for there to be writing out there that predates the Bible, that the Bible borrows from—and how to responsibly use comparative materials to shed light on the biblical text.
It doesn’t take long—just two chapters of Genesis—before the reader is faced with…let’s call them complications. Why doesn’t the story of Adam and Eve in Genesis 2 seem to fit with the creation story from Genesis 1? Why are there two nearly identical genealogies in Genesis 4 and 5? Why is the Flood story so difficult to understand? In this session we’ll look at the text of Genesis 1–11 and realize that there isn’t one story here, but two. Two creations, two floods, two texts, two authors, two theologies, two narratives. Welcome to the Bible that was always right in front of you—if you know how to look for it.
Once we have established the basics of recognizing multiple sources in the text of the Pentateuch, we can step back and look at how the whole thing came together. This session will introduce in full the sources of the Pentateuch: their scholarly origins, their different approaches, and what understanding them can do for the contemporary reader. What does it mean that some stories seem to be known only to one of the biblical texts? How are we supposed to read a text that is anything but consistent?
Three patriarchs, four matriarchs, two concubines, twelve tribes, and a whole lot of family drama. Welcome to the Real Ancestors of Biblical Israel. In these chapters we get some of the most famous stories in the Bible (like, say, the sacrifice of Isaac) and some of the least famous (what do you mean you don’t remember Reuben sleeping with his father’s concubine Bilhah?). These stories straddle the line between local affairs and international relations. What are we as readers to make of them?
The Exodus never happened. There, I said it in the syllabus, so you won’t be surprised when I say it in class. What do we do with the Exodus story, certainly the most famous and influential part of the entire Hebrew Bible, once we have taken it out of the realm of the historical? What did the Exodus story do for ancient Israel, and what might it still do for us today?
The revelation on Mount Sinai is the climax of the Pentateuch. It is also one of the only passages that every source of the Pentateuch shares in common. But it’s where the sources differ that the magic really happens. In this session we’ll use the Sinai narrative as a case study for both recognizing and appreciating the theological differences among the sources. We’ll think about what happens when we take the text apart into its constituent elements, and also what happens when we read it all together.
I know what you’re thinking. The best? More like the most unreadable of all books. And it’s okay: we can both be right. Leviticus gives us a remarkable window into an entire world of ancient Israelite thought—the world that’s really obsessed with bloody animal sacrifice. In our modern world, we don’t really know what to make of these rituals, or of the texts that describe them in such detail. But two thousand years ago they did—and that’s the perspective I’ll be sharing with you in this session. I’ll make the case that Leviticus, despite being unreadable, is also perhaps the most sustained and most beautiful theological idea in the entire Bible.
When one version of Israel’s history and laws isn’t enough, there’s always Deuteronomy to give it all to us again, just in the form of a very, very long speech by Moses. What is Deuteronomy up to? What is its relationship to the other books and sources of the Pentateuch? Despite feeling somewhat repetitious, Deuteronomy is in fact one of the central texts of the Hebrew Bible, and understanding it—and its historical setting—is crucial for reading much of what follows.
Over the course of the four books that follow the Pentateuch, we move from Joshua, Moses’s successor, to Josiah, the last great king of Israel; we go from the Israelite conquest of Canaan to the Babylonian conquest of Israel. We also go from the mythic past to something at least vaguely resembling actual historical events. There is a lot of disparate material in these books, but it’s all been brought together in a single conceptual framework. We’ll look at what this history is, and what it might have been trying to accomplish. In the end, we’ll see that what we have here is a history that is less about what happened and more about why.
After Moses was Joshua; before Israel had kings, it had judges. The first two books of the history give us wonderful stories about Israel’s early history—but stories is probably all they are. The big question here is how Israel actually came to settle in the promised land. The Bible tells us it was conquest; archaeology tells us otherwise. How might we reconstruct the actual history behind the text, and how might that history help us understand why the text looks the way it does?
David: the main character of the Hebrew Bible, no question about it. Who David really was in history? Lots of questions about it. In this session we will look at the portrayal of David in the books of Samuel and Kings, and think about why he is depicted the way he is. We’ll consider an alternative to the standard reading of David’s life, one that may be less familiar to us today but that may have been very recognizable to audiences three thousand years ago. You’ll never think about David the same way again.
Solomon, Hezekiah, Josiah; Ahab and Jezebel; Elijah and Elisha; the book of Kings is full of famous (and infamous) characters. But what about Jeroboam, Manasseh, and Jehoiachin? Maybe less well known, but also maybe just as important, at least as far as the biblical history is concerned. Though the details of the book of Kings may be hard to remember (even for professionals), the big picture presented here is the climax of the history: why do the kingdoms of Israel and Judah fall? What, in other words, is the relationship between history and theology, between what happens and why it happens?
We don’t live in a world of prophets. But in ancient Israel, they were seemingly everywhere. And they came in lots of different flavors. Before we talk about any of the biblical prophets individually, we’ll take this lesson to think about the nature of prophecy as a whole. Who were prophets, and what were they really up to? How does understanding the institution of prophecy help us to understand individual prophets and their messages?
The eighth century BCE saw the rise of a set of prophets who had a rather limited set of concerns, mostly centered around failures of social justice. We’ll look in this session at three of them—Amos, Hosea, and Micah. Who were they speaking to, and what were they speaking about? Why was social justice the main theme of prophecy in this particular historical moment? We’ll also think about what happens to texts, especially prophetic ones, when their historical moments have passed? .
Isaiah has been known for centuries as the prince of prophets, the greatest of them all. But there’s something pretty weird going on in this book—it’s a phenomenon that is perhaps easy to miss when we focus on the messianic stuff, the material that made it into Handel’s Messiah. But when we think about Isaiah as a product of its historical context, we end up with both a different read on all that messianic stuff (hint: it isn’t about Jesus) and with a different sense of the book as a whole (hint: there’s more than one Isaiah in here).
Full disclosure: I hate Jeremiah. I’ll tell you why in this session. But I’ll also take this session as an opportunity to think not about prophecy as a social phenomenon but about the prophetic book as a literary phenomenon. What are we reading when we read a book like Jeremiah? Are we reading a transcription of a real-life prophet’s words? Is it biography? Theology? All, none? Jeremiah is a great test case for challenging our standard ideas about what a prophetic book actually contains.
Ezekiel: what a weirdo. Here’s a book that is just stuffed with famous visions: Ezekiel’s wheel in the first chapter, the valley of dry bones, the nearly ten chapters of eschatological temple vision at the end. It’s also the first biblical book—certainly the first prophetic one—written from the exile in Babylon. Here, then, is a great opportunity to think about how changing historical and cultural circumstances affect the prophetic task, and the kinds of theologies that are brought to witness against Israel. Ezekiel’s message is so unlike everyone’s before him that it is sometimes hard to understand—we’ll try and fix that together.
Jonah is potentially one of the most commonly misunderstood books in the Bible, mostly because once you say something is in the Bible you have a hard time also reading it as comedy. But that’s what Jonah is. Okay, but why would I pair Jonah with Esther, of all things? Because Esther, I think, is also comedy. And I’d like to take this session to think about what makes these books funny, how satire works, and what it means for us as modern readers to recognize that the Bible can be more than just some Very Serious Stuff.
Did King David write the psalms? The Bible doesn’t actually say so. We’ve been taught (for nearly two millennia) that the psalms are the poetic expression of David’s inner thoughts. But actually what the psalms are, and where they came from, and what they were used for in ancient Israel, is all way more interesting than just “David.” While we’re here, we might as well talk some about how biblical poetry works, and why it doesn’t look like any other poetry we’re familiar with (whether it’s Shakespeare or Yeats or whatever was in the most recent New Yorker). Studying Psalms opens entire worlds for us.
Who doesn’t love a good proverb? The author of Ecclesiastes, that’s who. And yet: traditionally both books are attributed to King Solomon, the wisest and most likely to cut a baby in half of all Israel’s kings. In this session we’ll enter the world of what is known as “wisdom literature,” the biblical books that seem to be interested mostly in the philosophical question of what constitutes a good life and how we as humans might figure out how to achieve it. If there’s ever been a place where the Bible is inconsistent, it’s between these two books. And that’s what makes reading them together so much fun.
The book of Job is the My Dinner with Andre of the Bible: no action, lots of talking, and when you’re finished, it’s not entirely clear what you were supposed to have learned. (Feel free to insert the movie reference that makes most sense to you.) Job is among the most famous of all biblical stories, and also among the most difficult of all the biblical books to actually read (in any language). What might we make of this enigmatic, complicated text?
In this lesson we’ll look at two books with female protagonists. One, obviously, is Ruth: the beloved little novella about the ancient convert who ends up being the ancestor of King David. We’ll explore some of the subtleties and oddities of this book, and think about it as a meaningful piece of ancient fiction. The other book is Lamentations, and the female protagonist is the city of Jerusalem, figured in this book as a grieving widow. Lamentations is biblical poetry at its finest, and gives us another opportunity to think about how much of this biblical literature is a theological response to the uncertainties of an ever-changing geopolitical landscape.
If you thought Leviticus was boring, wait until you get to Chronicles. But like Leviticus, underneath the boring repetitive bits is actually an extraordinary text. Studying Chronicles allows us to appreciate what ancient historical writing did, the authoritative status of older biblical materials, and how perceptions and depictions of biblical characters change over time. It might not be thrilling reading, but it’s actually pretty thrilling stuff once you know what you’re looking for.
Daniel is, potentially, the most complicated book in the entire Hebrew Bible, at least in terms of its compositional history. It’s got stories and visions. It’s got Daniel and a bunch of other characters. It’s set in ancient Babylon but is from much, much later. It’s got full-blown apocalyptic imagery. It’s in two different languages. It comes in multiple distinct editions. Reading Daniel is an exercise in putting all of our critical skills to work. It’ll be super fun, I promise.
As we get to the end of our time with the Hebrew Bible, we have to return to the question we asked at the beginning of the course: what is this thing we’re calling the Hebrew Bible? Is this a thing, even? When did the Bible become the Bible? In this session we’ll bring in some of the materials that didn’t quite make it into our traditional biblical canon (depending on which religion or denomination one belongs to). And we’ll look at the oldest evidence for the biblical texts we have, that is, the Dead Sea Scrolls. Far from confirming what tradition has long held about the Bible, the scrolls, and the other non-biblical texts from antiquity, reveal to us a world in which the Bible didn’t quite exist yet—and helps us to see, perhaps, how it came to be.
In our last session, we’ll look back at what we’ve learned together over fourteen weeks. What does historical criticism offer us as readers, and what questions does it leave open? My intention in this final session is to think about what doors historical criticism closes, and which it opens for us. In short: where do we go from here?
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About Dr. Joel S. Baden
Professor of Hebrew Bible, Author, and Speaker
Dr. Joel S. Baden is Professor of Hebrew Bible at Yale University and Director of the Center for Continuing Education at Yale Divinity School. He works widely in the field of biblical studies, with special attention to the literary history of the Pentateuch.
He is also a prolific public scholar, contributing to outlets such as The New York Times, The Atlantic, and Slate. Known for his clarity, wit, and deep expertise, Dr. Baden makes complex academic research accessible, engaging, and relevant for broader audiences.



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The regular price for semester-length university-level courses is typically $2,000 to $4,000. While we do not offer college credit, we value this course at $1499. However, you can now purchase the full course, including lifetime access to ALL 28 lectures, Q&As, quizzes, and bonus materials, for the SPECIAL 28-lecture Early Bird price of just $349 until midnight August 23rd EST.
Plus, you’ll have the option to attend the live recordings of each lecture, running from Sep 2 to Dec 11, 2025, making it an interactive and engaging experience that mirrors the real-time learning of attending in-person university classes.
If watching Stand-Alone, replays of all the lectures will be posted within one week of the live recording our course platform, ThriveCart. If watching in BSA, the replay will be available within minutes of the live recording inside of the community.
Dr. Joel S. Baden will present twenty eight 50-minute lectures between Sep 2 and Dec 11, 2025.
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